Weekly · a new routine each block · no partner

Commercial Dance Classes in Sheffield

Our commercial dance classes in Sheffield take the choreography you have replayed a hundred times on a phone and pull it apart until your own body can do it. Chart tracks, sharp arms, clean facings and one complete routine by the end of a block — an hour a week, in the city centre. One class is £10; four in a row cost £32.

Dancers learning a music-video routine at a commercial dance class in Sheffield
Count by countChoreography taught in eights and run back as often as the room needs

Get into the room

Tell us where you're up to and we'll place you.

Commercial runs weekly in central Sheffield. Blocks begin with a brand-new routine, so week one is the easiest week to walk in on — ask us where the current block has got to and we'll be straight with you.

  • £10 to drop in · four weeks together for £32
  • Trainers and whatever you can move in — that's it
  • Evening, address and current routine sent back by email
Commercial Class Enquiry

Fill this in and you'll get the evening, the studio address and where the block currently stands.

A single reply about commercial. Nothing signs you up to anything.

The essentials

  • Where Sheffield city centre studio
  • When Weekly, evening — sent by reply
  • Length One hour
  • Level Beginners upward
  • Ages 17 – 75
  • Partner Not needed
Single class£10pay on the night
Block of four£32one style, four weeks

The class

The video, learned properly.

What commercial dance means here

Commercial is the choreography built to sit behind a pop artist: part jazz, part hip-hop, part heels, all of it angled at an audience or a lens. It is why the arms are so precise, why a move finishes rather than fades, and why nobody in a video ever looks like they are thinking. That last part is learned. On our Sheffield class list this is the style people pick when they want to dance something — a whole piece, start to finish, rather than a set of exercises. Beginners get exactly the same choreography as everyone else, just slower and with more repeats. The style rewards commitment far more than natural flexibility, which is why people who felt hopeless in a school hall often do well in it.

Blocks open with a fresh routine, so there is no such thing as arriving late to the story. The teacher gives out an eight at a time, at half speed, then at tempo, then with the facings and the attack layered on top. Some weeks the track is current; some weeks it is something from fifteen years ago that the room shouts about. Nothing is promised in advance, because the choreography is chosen for the people who actually turn up. Miss a week and the missing section gets recapped rather than skipped, since a routine with a hole in the middle is no use to anybody.

How the hour breaks down

A proper warm-up first, since commercial punishes cold shoulders, then across-the-floor work for travel and level changes, then the bulk of the hour on the routine. The last run is done full out with the lights and the volume up. Wear trainers with a clean sole; some dancers swap into a heel for certain sections, which is a short step from our heels class. We provide neither shoes nor kit of any sort. Groups who want an afternoon of this rather than a term book a commercial hen party. Water and a towel are worth packing, because the last twenty minutes are easily the busiest part of the hour.

One block, one routine

Four weeks from first eight to full out.

A commercial block usually builds like this. It moves with the room — a section that hasn't landed gets another week rather than being abandoned.

Week 1

Stance and counts

How to stand so the choreography reads, how to hear an eight, and the opening section taught slowly enough to write down.

Week 2

The middle eight

More material, plus the first go at travelling it rather than dancing on the spot. This is the week it starts feeling like a routine.

Week 3

Texture and attack

Same steps, different quality: where to hit hard, where to float, where to hold. The difference between knowing it and performing it.

Week 4

Full out

The whole piece at tempo, in groups so you get to watch as well as dance, with the facings finally pointing where they should.

What comes with it

What a block of commercial gives you.

Beyond the routine, which is the bit you came for.

  • Choreography retained faster, week on week
  • Arms that stop and start exactly where you meant
  • Cardio you barely notice doing
  • Confidence facing the front of a room
  • An ear for where the beat actually sits
  • Full pieces you can still dance months later
  • An hour that empties your head completely
  • People to stand next to at the front eventually

Commercial, answered

What people ask before their first block.

Ten straight answers on commercial dance classes in Sheffield, minus the jargon.

1What actually is commercial dance?

It is the choreography made for pop — videos, tours, awards shows — a hybrid of jazz, hip-hop and heels designed to face an audience or a camera. In practice that means chart music, defined arms and a routine you would half recognise from a screen.

2Do I need to have danced before?

No. Every block begins a brand-new routine, which makes the first week of one the natural place to arrive cold. Counts are called out loud, sections are repeated as many times as the room wants, and nobody is asked to pick things up on sight.

3Is commercial the same thing as street dance?

They share music and plenty of movement, but street grew out of social and battle culture while commercial was built for the stage and the lens. Commercial leans much harder on lines, facings and finishing a shape where it can be seen.

4Do I need to be flexible?

There are no splits and no high kicks to clear. Flexibility lengthens a line and you will gain a little from the warm-up, but nothing in the choreography is locked behind it.

5What should I wear, and do you lend shoes?

Trainers with a clean, smooth sole and clothes you can throw around. Some people bring a heel for the sections that suit one. We don't lend, hire or sell footwear or kit, so what you dance in is whatever you carried through the door.

6What music do you use?

Chart pop, R&B and a fair few throwbacks, chosen to suit whatever the routine needs. Tracks change with every block and suggestions are genuinely welcome, though we never promise a particular song ahead of time.

7How long until I can dance a full routine?

A block is built to end with one complete piece danced at proper tempo. Most people have the opening half memorised by the second week, then spend the rest of the month making it look deliberate rather than remembered.

8What does a commercial class cost?

Drop in whenever the mood takes you for £10, or commit to a four-week block for £32, which is £8 an hour. Nothing is signed and no direct debit gets set up in your name.

9Where is the commercial class held?

Somewhere central — close enough to the shops and the tram that people come straight from work without going home first. The building and the room reach you by email with the evening rather than being published on this page.

10Is it a hard workout?

Harder than it looks from outside the door. There is a real warm-up, a lot of repetition at speed and very little standing around, so expect to sweat — though marking a run instead of dancing it full out is always allowed.

Fancy a different sound? Nineteen more styles on the timetable.

See what else runs